Performances by Nimrat Kaur and Amol Parashar make the rather unimaginative show watchable, observes Deepa Gahlot.
The nationalism of Sky Force is low key -- which is its weakness, as well as its strength -- and it does not manipulate the audience into a pre-decided hate-the-enemy response, observes Deepa Gahlot.
A superficial drama that never rises above its boring sentimentality, notes Mayur Sanap.
120 Bahadur is not just a war movie. It is a tribute, a history lesson, and an emotional journey into the heart of military courage, states Lt Gen Devendra Pratap Pandey, Retd.
Patrick Graham's crime documentary The Dupatta Killer gives all sides of the story and leaves it to the viewer to fill in the blanks, notes Deepa Gahlot.
Rishab Shetty's Kantara Chapter 1 is an ambitious, bold update of the ideas of the first film in a much bigger canvas, discovers Arjun Menon.
Mere Husband Ki Biwi collapses into an unremarkable My Best Friend's Wedding knock-off reducing a woman's worth to a catfight, observes Sukanya Verma.
Crime Beat is engrossing enough to binge-watch, endorses Deepa Gahlot.
Naga Chaitanya and Sai Pallavi's competent performances barely elevate this romantic drama, which prefers patriotic thrills, observes Arjun Menon.
Palak and Anuja endear us to their bittersweet world, observes Sukanya Verma.
Nishanchi actor Aaishvary Thackeray has signed up to play one of the leads in Yash Raj's new film, directed by Ali Abbas Zafar.
Be it as a source of fire, secret or endgame, everything is seen through the prism of sex and good looks in The Royals, observes Sukanya Verma.
Dark, disturbing and full of gore, Fateh is gung-ho in its efforts to make this stylised action yarn as brutal as possible, observes Mayur Sanap.
If you disregard history and are ready to watch Kesari 2 purely as an entertainer, you are definitely going to enjoy it, feels Utkarsh Mishra.
Such a collection of amiable characters were last seen in Panchayat. There are greedy dowry seekers, criminals, misogynists and the like, but the collective goodness of the others keep violence and male chauvinism in check, notes Deepa Gahlot.
Everyone had high expectations of season 3, expecting the same level of emotion, the same thrills, and the same cinema. But it failed to deliver, feels Vihaan Kulkarni.
The Brutalist reaches its full potential, thanks not just to its writing and its technical brilliance but also Adrien Brody's performance, applauds Deepa Gahlot.
The Delhi high court on Thursday refused to entertain a public interest litigation seeking a stay on the release of the Bollywood movie The Taj Story, scheduled to hit the screens on Friday.
As it meanders along The Mehta Boys can't decide what it wants to be -- a comedy, an emotional family drama or just a slice of life in the city, observes Deepa Gahlot.
Starring Kunal Nayyar, Christmas Karma is a present day take on Charles Dickens' classic A Christmas Carol, with its three ghosts played by Eva Longoria, Billy Porter and Boy George.
Kesari 2 has more style than substance on its mind, feels Sukanya Verma.
Kunal Kohli's attempt to bottle the essence of Gen Z in Bobby Aur Rishi Ki Love Story remains superficial, observes Deepa Gahlot.
Nadaaniyan's lack of charm, chemistry and cheek fails to create any ripples sighs Sukanya Verma.
There is much in Oops! Ab Kya? that continues to linger till the cliff-hanger in the final episode. And yet, there's a great deal about the show that doesn't quite come together, observes Mayur Sanap.
Doctors has soap opera level of plot developments that veer off to melodrama and struggle to keep you engaged, observes Mayur Sanap.
Govinda has been admitted to the CritiCare hospital in Juhu, northwest Mumbai, after he fainted at home around midnight, his legal advisor and friend Lalit Bindal said.
The possibilities of this serviceable thriller are immense but the makers prefer to play it safe and hold back the daredevil in the diplomat's clothing, observes Sukanya Verma.
The Sabarmati Report is so flimsy in its execution, taking offence to it would be dignifying its existence, notes Sukanya Verma.
The Storyteller has a lot to like and admire about it, observes Mayur Sanap.
Choreographer-turned-director Remo D'Souza can sure set the stage on fire but isn't quite the storyteller, notes Sukanya Verma.
Khushi fares better in emotional scenes but her chemistry with Junaid has the passion of a toothpaste campaign, observes Sukanya Verma.
Zero Se Restart is a must watch for cinema students, and also, perhaps for the layperson who has never been on a film set, and is curious about what goes into the making of a movie, recommends Deepa Gahlot.
'In a world that's loud and fractured, this is my small offering of softness. Of love.'
Like most rom-com shows, this one lives up to the feel-good factor to a large extent despite getting a bit boring here and there, observes Namrata Thakker.
When Ajay Devgn and the horse are off the screen, Azaad loses the little spark it has, feels Deepa Gahlot.
This movie is perfect for all ages. Avan Verma gives his thumbs up.
Pravinkoodu Shappu is a quirky whodunnit with its fair share of laughs, observes Arjun Menon.
Suzhal: The Vortex 2 is a compelling watch with a tightly woven narrative, elevated by powerful performances, notes Divya Nair.
Kangana Ranaut's decline as an actor feels complete, observes Utkarsh Mishra.
Paatal Lok 2 breaks the second season curse and spins yet another engrossing mystery, observes Mayur Sanap.
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